Main Content

Publications

2025

Pirk, Frauke, Fabian Kling, and Alexandra Schneider. “Reels, Records, and Reduction Prints: Researching Super 8 Home Movies through Catalogue Data.” NECSUS_European Journal of Media Studies, Autumn 2025. https://necsus-ejms.org/reels-records-and-reduction-prints-researching-super-8-home-movies-through-catalogue-data/.

Braida, Nicole. “From the Small Screen to the Big Screen: The Super8’s Distribution of Sandokan TV Series.” Cinéma & Cie. Film and Media Studies Journal 24, no. 43 (2025): 125–40. https://doi.org/10.54103/2036-461X/19977.

Braida, Nicole, and Frauke Pirk. “Teaching Small-Gauge Formats with Digital Methods.” In Doing Digital Film History: Concepts, Tools, Practices, edited by Sarah-Mai Dang, Tim van der Heijden, and Christian Gosvig Olesen, 109–132. Berlin: De Gruyter Oldenbourg, 2025. https://doi.org/10.1515/9783111082486-006.

Diecke, Josephine, and Malte Hagener. “Managing Tools and Expectations: Dos and Don’ts of Teaching Digital Methods for Film Analysis and Film Historiography.” In Doing Digital Film History: Concepts, Tools, Practices, edited by Sarah-Mai Dang, Tim van der Heijden, and Christian Gosvig Olesen, 299–312. Berlin: De Gruyter Oldenbourg, 2025. https://doi.org/10.1515/9783111082486-014.

Klages, Imme, and Fabian Kling. “Collecting Data and Connecting Traces: Researching and Modeling Sources on Doña Francisquita (S 1934).” In Doing Digital Film History: Concepts, Tools, Practices, edited by Sarah-Mai Dang, Tim van der Heijden, and Christian Gosvig Olesen, 89–108. Berlin: De Gruyter Oldenbourg, 2025. https://doi.org/10.1515/9783111082486-005.

Schneider, Alexandra, and Yvonne Zimmermann. “Data Cleaning and Diversity in Digital Film Historiography.” In Doing Digital Film History: Concepts, Tools, Practices, edited by Sarah-Mai Dang, Tim van der Heijden, and Christian Gosvig Olesen, 185–200. Berlin: De Gruyter Oldenbourg, 2025. https://doi.org/10.1515/9783111082486-009.

Zimmermann, Yvonne, Alexandra Schneider, and Haidee Wasson. “Platform Studies and Small Gauge Film Historiography: A Reciprocal Challenge.” In Platforms and the Moving Image, edited by Philipp Keidl and Jana Zündel, 25–42. Lüneburg: Meson Press, 2025. https://doi.org/10.14619/0733.

2024

Braida, Nicole. “Italo-Film: The Circulation of Italian Films on Super 8 in Germany in the ’70s and ’80s.” L’avventura, no. 2 (2024): 297–316. https://doi.org/10.17397/115266.

Campregher Paiva, Isadora, and Josephine Diecke. “Revisiting Weimar Film Reviewers’ Sentiments: Integrating Lexicon-Based Sentiment Analysis with Large Language Models.” Journal of Cultural Analytics 9, no. 4 (2024). https://doi.org/10.22148/001c.118497.

Diecke, Josephine. “‘Keeping Your Enemies Closer’: Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen.” In The Monopack Revolution at Midcentury, edited by Sarah Street and Joshua Yumibe, 30–47. Ithaca, NY: Rutgers University Press, 2024. https://doi.org/10.36019/9781978836839-003.

Hagener, Malte. “Streams, Portals and Data Flows: Digital Infrastructures of Film Studies.” In Technics: Media in the Digital Age, edited by Nicholas Baer and Annie Van Den Oever, 295-312. Amsterdam: Amsterdam University Press, 2024. https://doi.org/10.2307/jj.13703101.

Blaschke, Theresa, and Malte Hagener. “Approaching a National Film History through Data. Network Analysis in German Film History.” Journal of Cultural Analytics 9, no. 4 (2024). https://doi.org/10.22148/001c.118499.

Matuszkiewicz, Kai, Josephine Diecke, Theresa Blaschke, Derya Tok, Malte Hagener, and Yvonne Zimmermann. “Mehr Christians als Frauen? Eine gendersensible Analyse der film- und medienwissenschaftlichen Fachgeschichte mit digitalen Methoden.” Frauen und Film, no. 72 (2024): 128–40. https://doi.org/10.5167/uzh-264797.

Hagener, Malte, and Diana Roig-Sanz. “Digital Film Historiography: Challenges of/and Interdisciplinarity.” Journal of Cultural Analytics 9, no. 4 (2024). https://doi.org/10.22148/001c.120944.

Hagener, Malte, and Yvonne Zimmermann. “Introduction: Unpacking Film History’s Own Histories. Towards an Archaeology of Film Historiography.” In How Film Histories Were Made: Materials, Methods, Discourses, edited by Malte Hagener and Yvonne Zimmermann, 13–43. Amsterdam: Amsterdam University Press, 2024. https://doi.org/10.1515/9789048554577-002.

Hediger, Vinzenz, Florian Hoof, Yvonne Zimmermann, and Scott Anthony, eds. Films That Work Harder: The Circulation of Industrial Film. Amsterdam: Amsterdam University Press, 2024. https://doi.org/10.5117/9789462986534.

2023

Blaschke, Theresa, Josephine Diecke, Malte Hagener, Eike Löhden, Kai Matuszkiewicz, and Yvonne Zimmermann. “Die Vermessung der medienwissenschaftlichen Welt? Datengestützte Analysen mit media/rep/.” Zeitschrift für Medienwissenschaft, December 7, 2023. https://doi.org/10.25969/mediarep/20185.

Schneider, Alexandra, and Malte Hagener. “Data Papers – An Introduction” NECSUS_European Journal of Media Studies (Amsterdam) 12, no. 1 (2023): 259–362. https://doi.org/10.25969/mediarep/19751.

Hagener, Malte, and Yvonne Zimmermann, eds. How Film Histories Were Made: Materials, Methods, Discourses. Amsterdam: Amsterdam University Press, 2023. https://doi.org/10.5117/9789463724067.

Schneider, Alexandra, and Vinzenz Hediger. “Tipping the Scales of Film History: A Note on Scalability and Film Historiography.” In How Film Histories Were Made: Materials, Methods, Discourses, edited by Malte Hagener and Yvonne Zimmermann, 445–66. Amsterdam: Amsterdam University Press, 2023. https://doi.org/10.5117/9789463724067_ch17.

2022

Diecke, Josephine, Nicole Braida, and Isadora Campregher Paiva. “Was machen wir mit digitalen Tools und was machen sie mit uns?” Open-Media-Studies-Blog, February 2, 2022. https://zfmedienwissenschaft.de/online/open-media-studies-blog/was-machen-wir-mit-digitalen-tools-und-was-machen-sie-mit-uns.