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Talks

2025

Hagener, Malte. “Approaching Weimar Cinema with Digital Methods: An Analysis of 5257 Titles,” presentation, AniVision Workshop 2025, Fachhochschule St. Pölten, September 30, 2025.

———. “Popularity and Weimar Cinema: A Digital Methods Approach,” presentation, NECS 2025, Lusófona University, June 20, 2025.

Kling, Fabian, Derya Tok, and Katharina Kauth. “Kollaboratives Forschen als machtkritisches Lernen am Beispiel des Data-Sprint-Formats,” panel, Jahrestagung der Gesellschaft für Medienwissenschaft, Universität Paderborn, September 17, 2025.

Kling, Fabian. “Teaching Digital Methods in Film Studies through Data Sprints,” presentation, NECS 2025, Lusófona University, June 21, 2025.

Schneider, Alexandra. “Uncovering Amateur Media Histories: Digital Approaches to Archival Collections,” chair of panel, NECS 2025, Lusófona University, June 20, 2025.

2024

Hagener, Malte. “Filmdaten Sammeln, Sichern Und Nutzen,” organisation and chair of workshop, Jahrestagung der Gesellschaft für Medienwissenschaft, Johannes Gutenberg-Universität Mainz, September 28, 2024.

———. “Nachhaltige Forschungsinfrastrukturen Und Datenmanagement - Verstetigungsperspektive,” organisation and chair of workshop, Statusveranstaltung der Datenkompetenzzentren, BMBF, Berlin, September 19, 2024.

———. “Auftaktveranstaltung Datenkompetenzzentrum QUADRIGA,” participation in panel discussion, Universität Potsdam (online), July 1, 2024.

———. “Opening the Black Box of AI,” presentation, NECS 2024, University of Economics Izmir, June 27, 2024.

Hagener, Malte, Yvonne Zimmermann, Theresa Blaschke, Derya Tok, Alexandra Schneider, Nicole Braida, Frauke Pirk, Vinzenz Hediger, and Katharina Kauth. “DiCi-Hub,” presentation, Digitale Methoden und die Zukunft der Filmwissenschaft, April 11, 2024.

Kling, Fabian. “Mind the Gap(s). Modeling Programming Data from Television Archives,” presentation, NECS 2024, University of Economics Izmir, June 29, 2024.

Pirk, Frauke. “Vom Dachboden in Die Datenbank - Eine Sammlung von Super 8-Filmkatalogen Wird Verfügbar,” presentation, Jahrestagung 2024 der Gesellschaft für Medienwissenschaft (GfM), Johannes Gutenberg-University Mainz, September 26, 2024.

Zimmermann, Yvonne, Theresa Blaschke, and Derya Tok. “(In-)Visible? - Exploring Data on Women Working in the German Film Industry during the Weimar Period,” presentation, Internationale Konferenz Cultural Heritage Data and Power: Exploring Digital Collections and Situated Knowledges in Film History and Beyond, Philipps-Universität Marburg, November 15, 2024.

2023

Braida, Nicole. “From the Small Screen to the Big Screen: Sandokan,” invited lecture, Ringvorlesung “Substandards,” Johannes Gutenberg-University Mainz, January 11, 2023.

———. “Caring Supereighters: Networks of Super 8 Amateur Collectors in Germany and Europe,” presentation, NECS 2023: self-organized panel “Super 8’s Institutional and Noninstitutional Networks of Care,” University of Oslo, June 15, 2023.

———. “Data for Co-Liberation: Visualizing Feminicides,” presentation, Visible Evidence XXIX, University of Udine, September 7, 2023.

Campregher Paiva, Isadora. “Cleaning and Linking Film-Related Data: Lessons Learned at DiCi-Hub,” presentation, NECS 2023: Pre-Conference Workshop “Taking Care of Audiovisual Research Data and Collections,” University of Oslo, June 13, 2023.

———. “Constructing the Weimar Canon: The Role of Early Film Societies. Festival Cultures,” presentation, New Ways to Study Networks, Circulation & Canon Production, Filmuniversität Babelsberg KONRAD WOLF, February 15, 2023.

———. “Taking Care of Our Own Data: Reclaiming Data Ownership through Analysis in the Streaming Age,” presentation, NECS 2023, University of Oslo, June 15, 2023.

Diecke, Josephine. “Videoannotationstools Für Die Computergestützte Film- Und Videoanalyse,” invited presentation, NFDI4Culture Workshop “Audiovisuelle (Forschungs-)Daten – Anwendungsbereiche und Analysetools,” online, May 11, 2023.

———. “Offene Filmanalysevokabulare Für Die Videoannotation in Forschung Und Lehre,” presentation, panel “Open Humanities in der Filmwissenschaft - zwischen Wunsch und Wirklichkeit,” DHd2023 Jahrestagung des DHd-Verbands “Open Humanities, Open Culture,” Universities of Luxemburg and Trier, March 15, 2023.

———. “Offene Technik, Daten Und Nachhaltigkeit,” presentation, panel “’Open by Default’? Wo machen uns Rhetoriken von ‘Openness’ als Medienwissenschaftler_innen abhängig?,” Jahrestagung 2023 der Gesellschaft für Medienwissenschaft (GfM), University of Bonn, September 27, 2023.

Diecke, Josephine, and Simon Spiegel. “Das Digital-Film-Library-Projekt. Part II: Die Metadaten,” presentation, 7. Workshop der AG Filmwissenschaft “Universitäre Filmsammlungen im digitalen Zeitalter,” Universität Zürich, June 2, 2023.

———. “More Varda than Godard: Exploring Audiovisual Collections through Metadata,” presentation, NECS 2023, University of Oslo, June 15, 2023.

Hagener, Malte. “Forschungsdateninfrastruktur Als Offene Werkstatt. Community Building Zwischen Generischen Und Datenspezifischen Praktiken,” co-organisation and chairing of workshop, Jahrestagung des DHd-Verbands “Open Humanities, Open Culture,” Luxembourg/Trier, March 17, 2023.

———. “Fachinformationsdienste Und NFDI: Perspektiven Und Möglichkeiten,” co-organisation and chairing of panel, Performance – Produktion – Daten. Modellierung und Vermittlung ereignisbezogener Daten, NFDI4Culture Workshop, Universität Leipzig, Institut für Theaterwissenschaft, September 14, 2023.

———. “Towards a Digital Film History: Infrastructure, Method, Scale,” invited presentation, Rijksuniversiteit Groningen, March 7, 2023.

———. “Lost without Emulation? Zur Abhängigkeit Dynamischer Digitaler Objekte von Aktuellen Langzeitarchivierungsstrategien Am Beispiel Digitaler Spiele,” organisation and chair of workshop, GfM-Konferenz, Bonn, September 28, 2023.

Pirk, Frauke. “Taking Care of the Scholarly Availability of Super 8 Film Catalogs in Germany,” presentation, NECS 2023: self-organized panel “Super 8’s Institutional and Noninstitutional Networks of Care,” University of Oslo, June 15, 2023.

2022

Braida, Nicole. “Teaching Digital Methods in Film Studies,” presentation, NECS 2022, Bucharest, June 24, 2022.

Campregher Paiva, Isadora. “Teaching Digital Methods in Film Studies,” organization and chair of workshop, NECS 2022, Bucharest, June 24, 2022.

———. “How to Work with OpenRefine and Use It to Connect to Wikidata and OMDb,” presentation, Methods Workshop: Applying Quantitative Methods and Digital Tools in Cinema Historiographical Research, Goethe University Frankfurt, December 12, 2022.

———. “Kanonvermessung: Quantitative Analyse Der Filmreferenzliste Der GoetheUniversität,” presentation, Workshop: «Videothek», «Mediathek», «Filmsammlung»: Repositorien audiovisueller Medien an Universitäten, University of Cologne, July 1, 2022.

———. “MDb and the Privatization of the Commons,” presentation, Platforms and the Moving Image, Goethe University Frankfurt, October 10, 2022.

———. “Rethinking the Weimar Film Canon as a Global Construction,” presentation, Rethinking Film History Through Global and Digital Approaches (Early 1920s - Early 1970s), Open University of Catalonia, October 6, 2022.

Diecke, Josephine. “‘Kinetische’ Methoden Der Filmanalyse Im Kontext Der Lehre,” presentation, Kinetik und Methodik. Film als dynamische und multimodale Herausforderung für die DH, Universität Potsdam und Fachhochschule Potsdam (online), March 7, 2022.

———. “Teaching Digital Methods in Film Studies: Managing Tools and Expectations,” presentation, NECS 2022, Bucharest, June 24, 2022.

Diecke, Josephine, and Malte Hagener. “Managing Tools and Expectations: Dos and Don’ts of Teaching Digital Methods for Film Analysis and Film Historiography,” presentation, International Conference “Doing Digital Film History,” Philipps-University Marburg, November 18, 2022.

Hagener, Malte. “Towards a Digital Film History: Infrastructure, Method, Scale,” invited presentation, Symposium on Film Historiography organized by Associazione Italiana per le Ricerche di Storia del Cinema (online), November 28, 2022.

———. “Digital Film Studies: Methods and Approaches,” invited talk, Masaryk University Brno, March 22, 2022.

———. “Towards a Digital Film History: Infrastructure, Method, Scale,” invited talk, Symposium on Film Historiography, Associazione Italiana per le Ricerche di Storia del Cinema (online), March 7, 2022.

———. “Towards a Digital Film History: Infrastructure, Method, Scale,” keynote, Rethinking Film History through Global and Digital Approaches, Universita Oberta de Catalunya, October 4, 2022.

———. “Digital Film Studies: Methods and Approaches,” lecture, Masaryk University Brno, March 22, 2022.

———. “Vocabularies and Standards in Film Data,” organization and chair of workshop, NECS 2022, Bucharest, June 25, 2022.

———. “Wie Daten Am Forschungsprozess Mitarbeiten,” organization and chair of workshop, GfM-Konferenz, Halle/Saale, September 30, 2022.

———. “Digital Methods and Tools,” panelist, Collaborative Visual Research (GPS 400), Göteborg, June 6, 2022.

———. “NFDI4Culture,” presentation, Institutional Workshop on Research Data Management, Universität zu Köln / Mecila, Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, November 24, 2022.

Pirk, Frauke. “Vocabularies and Standards in Film Data,” presentation, NECS 2022, Bucharest, June 25, 2022.

Schneider, Alexandra, and Yvonne Zimmermann. “Canon and Cleaning: Data Preparation in Digital Film History,” presentation, International Conference “Doing Digital Film History,” Philipps-University Marburg, November 17, 2022.

Zimmermann, Yvonne. “Platform Studies and Small Gauge Film Historiography - Considering Methods,” presentation, International Symposium “Platforms and the Moving Image,” Goethe University Frankfurt, October 29, 2022.

Zimmermann, Yvonne, and Martin Loiperdinger. “Importing Asta Nielsen Database – A Tool for Digital Research on the Global Circulation and Local Exhibition of Asta Nielsen’s Long Feature Star Series before the First World War,” presentation, HoMER Annual Conference, Universität Rom, July 6, 2022.

2021

Diecke, Josephine. “Analyzing and Visualizing Agfa/ORWO’s Foreign Film Stock Inspection through the Case of Fujifilm,” presentation, Situating German Film Stock, Universität Halle (online), December 10, 2021.

———. “Transferring Knowledge in Transitional Zones and Phases. East Germany’s Color Film Stock Production during the Cold War,” presentation, NECS 2021, University of Palermo (online), June 10, 2021.

Hagener, Malte. “Forschungsdaten in Der Medienwissenschaft. Welche Infrastrukturen Brauchen Wir?” organisation and chair of workshop, GfM-Conference, Innsbruck, September 24, 2021.

———. “Towards a Digital Film History: Infrastructure, Method, Collaboration,” presentation, Cadeah-Workshop “European History Reloaded,” Universiteit Utrecht, October 8, 2021.

Hagener, Malte, and Alexandra Schneider. “DiCi-Hub: Anforderungen an Offene Software-Infrastrukturen,” presentation, Virtuelle Konferenz “TIB AV-Analytics” im Rahmen des DFG-Projekts „TIB-AV-Analytics – Entwicklung einer Softwareplattform für die systematische Film- und Videoanalyse“, Technische Informations-Bibliothek Hannover und Johannes-Gutenberg-Universität Mainz, September 16, 2021.

———. “Dici-Hub and NFDI4Culture,” workshop, TIB AVAnalytics Workshop „Film- und Videoanalyse: Anforderungen an eine offene, Software-Infrastruktur“, online, September 15, 2021.

2020

Hagener, Malte. “Infrastructure, Network, Circulation,” keynote and panel participation, Virtueller Zoom-Workshop “Reframing the Institution” des Projekts “Film Criticism in Italy from the 1930s to the 1970s”, October 16, 2020.

———. “Digital and Digitised Culture. How to Take Account of the Material in the Digital Realm,” keynote, Virtuelle Konferenz “Materiality and Creative Processes in Portuguese Cinema,” University of Florence and Universidade Nova de Lisboa, October 29, 2020.