Main Content
Program
The conference takes place at: Deutscher Sprachatlas, Pilgrimstein 16, 35037 Marburg.
The conference will be in-person only.
You can find the poster and a PDF of the program here.
Registration is closed.
Day 1 |
Thursday, November 14, 2024 |
| 13:30 - 14:30 | Arrival & Registration |
| 14:30 - 15:15 | Welcome & Introduction Sarah-Mai Dang (Philipps-Universität Marburg), Pauline Junginger (Philipps-Universität Marburg), Anne Hart (Philipps-Universität Marburg) |
| 15:15 - 15:30 | Coffee Break |
| 15:30 - 17:30 | Panel 1: Archival Silences and Missing Data Chair: Clara Auclair (DAVIF Fellow, Philipps-Universität Marburg) Sonia Campanini (Goethe University Frankfurt) (De-)Visualising Colonial Film Data: Unsettled Knowledge and Potential Archival Violence in Digital Infrastructures Bella Honess Roe (University of Surrey) What is Historical Data in the Absence of Archival Material? Women in Mid-Century British Animation Studios Sarah Arnold (Maynooth University) Amateur Film, Women’s Cultural Production and Feminist Approaches to Metadata Charlotte Bruns (Erasmus University Rotterdam), Dulce van Vliet - da Rocha Gonçalves (Eindhoven University of Technology) “Are You Sure You Want to Delete this Image?”: Reflections on Archival Appraisal in the Digital Age |
| 17:30 - 18:00 | Coffee Break |
| 18:00 - 19:00 | Keynote Marian Dörk (University of Applied Sciences Potsdam) Do Visualizations have Politics? The Power of Interactivity in Data Visualizations Chair: Pauline Junginger (Philipps-Universität Marburg) |
| 19:00 - 21:00 | Reception (Deutscher Sprachatlas) |
Day 2 |
Friday, November 15, 2024
|
| 09:00 - 09:30 | Arrival & Registration |
| 09:30 - 11:00 |
Panel 2: Data Visualization and Film Heritage Chair: Christian Gosvig Olesen (University of Amsterdam) Ainamar Clariana-Rodagut (Open University of Catalonia) Social Network Analysis to Find Woman through a Cultural Mediator Clara Auclair (DAVIF Fellow, Philipps-Universität Marburg) From Joinville to New Jersey: Early Women Workers Mobilities Melanie Bell (University of Leeds), Cassie Ulph (University of Leeds) Visualising the Women Who Made British Cinema |
| 11:00 - 11:15 |
Coffee Break |
| 11:15 - 12:45 | Panel 3: Digital Explorations of Women's Filmmaking Chair: Kate Saccone (University of Amsterdam & The Women Film Pioneers Project) Kristina Köhler (University of Cologne) The Lumière Sisters: Alternative Feminist Historiography and Speculation with (AI-Generated) Image Archives Josephine Diecke (University of Zurich) Datafication of Women's Filmmaking in the GDR: A Digital Film Analysis Approach Theresa Blaschke (Philipps-Universität Marburg), Derya Tok (Philipps-Universität Marburg), Yvonne Zimmermann (Philipps-Universität Marburg) (In-)Visible? - Exploring Data on Women Working in the German Film Industry during the Weimar Period |
| 12:45 - 14:30 | Lunch Break (on your own) |
| 14:30 - 16:00 | Panel 4: Archival Narratives Chair: Golnaz Sarkar Farshi (Philipps-Universität Marburg) Isadora Campregher Paiva (University of Amsterdam) Reframing the Weimar Cinema Canon: Digital Methodologies and Archival Narratives Till Grallert (Humboldt-Universität zu Berlin) Let's Talk about Arabic Periodicals: A Practical Critique of Digital Infrastructures of Exclusion Ilona Pikkanen (Finnish Literature Society, Helsinki), Hanna-Leena Paloposki (Finnish Literature Society, Helsinki) Gendered Readings of Aggregated Letter Metadata: New Perspectives on a Nineteenth-Century Society and its Archival Traces? |
| 14:30 - 16:00 [Simultaneously to Panel 4] |
Workshop: Let's Find the Women! Keith M. Johnston (University of East Anglia), Sarah Arnold (Maynooth University), Carolann Madden (Maynooth University) Let’s Find the Women! Tools for Representing Women’s Amateur Filmmaking in Audiovisual Archive Metadata |
| 16:00 - 16:30 | Coffee Break |
| 16:30 - 18:00 | Panel 5: Infrastructures and Messy Data Chair: Anna Bohn (ZLB - Berlin Central and Regional Library) Malte Hagener (Philipps-Universität Marburg) From Cinephile Lists to Filmographies and Databases: A Critical Archaeology of Shared and Contested Data Culture Adelheid Heftberger (Bundesarchiv, Berlin) Film Data in Context - Archival Considerations on Messy Data and What to Make of it Kerstin Herlt (DFF - Deutsches Filminstitut & Filmmuseum, Frankfurt) More Than Words: Diversify Collections Descriptions through Community Collaboration and Machine Learning. Insights into the DE-BIAS Project |
| 19:00 - 21:00 | Conference Dinner (Bottega, self-paid) (GoogleMaps) |
Day 3 |
Saturday, November 16, 2024
|
| 09:00 - 09:30 | Arrival & Registration |
| 09:30 - 11:00 | Panel 6: Data Bias and Counter Archives Chair: Skadi Loist (Film University Babelsberg Konrad Wolf, Potsdam) Eva Weinmayr (Basel Academy of Art and Design FHNW & HDK-Valand - Academy of Art and Design, Gothenburg), Lucie Kolb (Basel Academy of Art and Design FHNW) Teaching the Radical Catalog – A Syllabus Nora Probst (University of Paderborn) Queering Archives? Curating a Digital ‘Counter Archive’ of Performance Maria Fosheim Lund (University of Oslo), Ingrid S. Holtar (National Library of Norway) Costume Design in The Norwegian Filmography |
| 11:00 - 11:30 | Coffee Break |
| 11:30 - 13:00 | Panel 7: Digital Exhibitions and Living Archives Chair: Jacqueline Klusik-Eckert (Heinrich Heine University Düsseldorf & #arthistoCast – der Podcast zur Digitalen Kunstgeschichte) Miriam Akkermann (Freie Universität Berlin) Musical Works and Digital Traces Martin Siefkes (University of Technology Chemnitz), Julia Pfeiffer (University of Technology Chemnitz) Opportunities and Risks of Digital Exhibitions: Generalizing Access, Reducing Depth? Georg Vogt (University of Applied Sciences St. Poelten) Living Archives, Precarious Data and Filmic Narrations: The “Regiobiograph” Project |
| 13:00 - 13:15 | Closing Remarks Sarah-Mai Dang (Philipps-Universität Marburg), Pauline Junginger (Philipps-Universität Marburg), Anne Hart (Philipps-Universität Marburg) |
| 13:15 - 14:30 | Farewell Lunch (Deutscher Sprachatlas) |
